And while Nintendo does say the E3 2021 Nintendo Direct will mostly focus on games releasing this year, it leaves the door open for some games to show up that don't fall into this category, which gives not just Zelda fans hope about Breath of the Wild 2, but Nintendo fans hoping to see the likes of Bayonetta 3, Metroid Prime 4, and other highly-anticipated Nintendo games that don't look 2021 bound. Last we heard, it has about a 51 percent chance of being present at E3 2021. The conclusion of this thesis offers ideas for additional areas of research as well as emphasizes the importance of scholarship on video game music.To be clear, there's no Breath of the Wild 2 news. The second analyzes “moving sonic environments,” defined as sonic spaces that change and develop as the player moves through them. The first of these two chapters examine “stationary sonic environments,” defined as sonic spaces that remain in place and relatively unchanged by a player’s movement. The third and fourth chapters analyze the relationships between sonic environments and players’ gameplay experiences. Case studies from Ocarina of Time (Nintendo 1998) and Breath of the Wild conclude the chapter. The second chapter discusses the application of concepts from film studies to video games, first by providing a comparison of the development of sound technology in both industries. As subsequent Legend of Zelda games utilize these themes and motifs, it is necessary to provide a historical analysis. The first chapter analyzes compositional works by Koji Kondo, focusing on musical themes and motifs from earlier Legend of Zelda games. Utilizing frameworks and methodologies from musicology, ethnomusicology, film studies, and sound studies, the analyses presented in this thesis provide a better understanding of how music and sound impact a player’s perception of a virtual environment.
This thesis explores the relationships among music, sound, virtual environments, and gameplay within the video game, The Legend of Zelda: Breath of the Wild (Nintendo 2017).
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